Up the airy mountain,
Down the rushy glen,
We daren't go a-hunting
For fear of little men;
...
The vast and solemn company of clouds
Around the Sun's death, lit, incarnadined,
Cool into ashy wan; as Night enshrouds
The level pasture, creeping up behind
...
See how a Seed, which Autumn flung down,
And through the Winter neglected lay,
Uncoils two little green leaves and two brown,
With tiny root taking hold on the clay
...
A sunset's mounded cloud;
A diamond evening-star;
Sad blue hills afar;
Love in his shroud.
...
O pale green sea,
With long, pale, purple clouds above -
What lies in me like weight of love ?
What dies in me
...
Little Cowboy, what have you heard,
Up on the lonely rath's green mound?
Only the plaintive yellow bird
Sighing in sultry fields around,
...
Four ducks on a pond,
A grass-bank beyond,
A blue sky of spring,
White clouds on the wing;
...
Far from the churchyard dig his grave,
On some green mound beside the wave;
To westward, sea and sky alone,
And sunsets. Put a mossy stone,
...
I heard the dogs howl in the moonlight night;
I went to the window to see the sight;
All the Dead that ever I knew
Going one by one and two by two.
...
Now Autumn's fire burns slowly along the woods,
And day by day the dead leaves fall and melt,
And night by night the monitory blast
Wails in the key-hold, telling how it pass'd
...
Chequer'd with woven shadows as I lay
Among the grass, blinking the watery gleam,
I saw an Echo-Spirit in his bay
Most idly floating in the noontide beam.
...
In Sussex here, by shingle and by sand,
Flat fields and farmsteads in their wind-blown trees,
The shallow tide-wave courses to the land,
And all along the down a fringe one sees
...
The Boy from his bedroom-window
Look'd over the little town,
And away to the bleak black upland
Under a clouded moon.
...
Down on the shore, on the sunny shore!
Where the salt smell cheers the land;
Where the tide moves bright under boundless light,
And the surge on the glittering strand;
...
Four ducks on a pond,
A grass-bank beyond,
A blue sky of spring,
White clouds on the wing;
...
That which he did not feel, he would not sing;
What most he felt, religion it was to hide
In a dumb darkling grotto, where the spring
Of tremulous tears, arising unespied,
...
In early morning twilight, raw and chill,
Damp vapours brooding on the barren hill,
Through miles of mire in steady grave array
Threescore well-arm'd police pursue their way;
...
O English mother, in the ruddy glow
Hugging your baby closer when outside
You see the silent, soft, and cruel snow
Falling again, and think what ills betide
...
I thought it was the little bed
I slept in long ago;
A straight white curtain at the head,
And two smooth knobs below.
...
Adieu to Belashanny! where I was bred and born;
Go where I may, I'll think of you, as sure as night and morn.
The kindly spot, the friendly town, where every one is known,
And not a face in all the place but partly seems my own;
...
He was born in Ballyshannon, Co. Donegal, Ireland, and was the son of the manager of a local bank who was of English descent. He obtained a post in the custom-house of his native town and held several similar posts in Ireland and England until 1870, when he had retired from the service, and became sub-editor of Fraser's Magazine, which he edited from 1874 to 1879, in succession to James Froude. He had published a volume of Poems in 1850, followed by Day and Night Songs, a volume containing many charming lyrics, in 1855. Allingham was on terms of close friendship with DG Rossetti, who contributed to the illustration of the Songs. His Letters to Allingham (1854-1870) were edited by Dr. Birkbeck Hill in 1897. Lawrence Bloomfield in Ireland, his most ambitious, though not his most successful work, a narrative poem illustrative of Irish social questions, appeared in 1864. He also edited The Ballad Book for the Golden Treasury series in 1864. In 1874 Allingham married Helen Paterson, known under her married name as a water-colour painter. He died at Hampstead in 1889, and his ashes are interred at St. Anne's in his native Ballyshannon. Though working on an unostentatious scale, Allingham produced much excellent lyrical and descriptive poetry, and the best of his pieces are thoroughly national in spirit and local colouring. His verse is clear, fresh, and graceful. Other works are Fifty Modern Poems (1865), Songs, Poems, and Ballads (1877), Evil May Day (1883), Blackberries (1884), Irish Songs and Poems (1887), and Varieties in Prose (1893), and, arguably his most famous work, "The Faeries" (see below). William Allingham: a Diary (1907), edited by Mrs Allingham and D Radford, contains many interesting reminiscences of Tennyson, Carlyle and other famous contemporaries. The Ulster poet John Harold Hewitt felt Allingham's influence keenly, and his attempts to revive his reputation included editing and writing an introduction to The Poems of William Allingham (Oxford University Press/ Dolmen Press, 1967).)
The Fairies
Up the airy mountain,
Down the rushy glen,
We daren't go a-hunting
For fear of little men;
Wee folk, good folk,
Trooping all together;
Green jacket, red cap,
And white owl's feather!
Down along the rocky shore
Some make their home,
They live on crispy pancakes
Of yellow tide-foam;
Some in the reeds
Of the black mountain lake,
With frogs for their watch-dogs,
All night awake.
High on the hill-top
The old King sits;
He is now so old and gray
He's nigh lost his wits.
With a bridge of white mist
Columbkill he crosses,
On his stately journeys
From Slieveleague to Rosses;
Or going up with music
On cold starry nights
To sup with the Queen
Of the gay Northern Lights.
They stole little Bridget
For seven years long;
When she came down again
Her friends were all gone.
They took her lightly back,
Between the night and morrow,
They thought that she was fast asleep,
But she was dead with sorrow.
They have kept her ever since
Deep within the lake,
On a bed of flag-leaves,
Watching till she wake.
By the craggy hill-side,
Through the mosses bare,
They have planted thorn-trees
For pleasure here and there.
If any man so daring
As dig them up in spite,
He shall find their sharpest thorns
In his bed at night.
Up the airy mountain,
Down the rushy glen,
We daren't go a-hunting
For fear of little men;
Wee folk, good folk,
Trooping all together;
Green jacket, red cap,
And white owl's feather!
why is there a festival based around this guy his poems are awful, there is no substance to anything he writes
History of Ireland—lawlessness and turbulency, robbery and oppression, hatred and revenge, blind selfishness everywhere—no principle, no heroism. What can be done with it?
I Love poems birdie, will you pet